Canon PowerShot D10 Overview...

The Canon PowerShot D10 is a rugged waterproof / shockproof / freezeproof camera based around a 1/2.3-inch 12.1-megapixel CCD image sensor, DIGIC 4 image processor, and a Canon-branded 3x optical zoom lens. The Canon D10's lens offers focal lengths ranging from a 35mm wide-angle to a 105mm telephoto, and features true optical image stabilization. Maximum aperture varies from f/2.8 to f/4.9 across the zoom range, and macro focusing is possible to just three centimeters. Continuous shooting is possible at 1.1 frames per second, and the PowerShot D10 can be operated at depths up to 33 feet underwater, is shockproof for falls from up to four feet, and freezeproof to 14 degrees Fahrenheit.

There's no optical viewfinder, with the Canon D10 instead opting solely for a 2.5-inch LCD display with 230,000 dots of resolution. The maximum recordable image dimensions are 4,000 x 3,000 pixels, and the Canon D10 offers a 30 frames-per-second VGA (640 x 480) movie mode as well. Sensitivity ordinarily ranges from ISO 80 to ISO 1,600 equivalents, and can be extended to ISO 3,200 equivalent in a high-sensitivity Scene mode. A built-in flash is rated as good to 10.5 feet (3.2 meters) at wide-angle, and 6.6 feet (2 meters) at telephoto. Images and movies are stored on SD cards, NTSC / PAL standard definition video output and USB 2.0 High-Speed computer connectivity are on offer, and the Canon PowerShot D10 draws power from a proprietary NB-6L lithium-ion rechargeable battery.

The Canon PowerShot D10 ships from early May, with pricing of US$330. Optional accessories include interchangeable face plates, customized straps, and a carabiner hook.


Canon PowerShot D10
User Report

by Shawn Barnett

After a long hiatus, Canon returns to the Waterproof market with the PowerShot D10, a more durable model than they've ever made. I've owned two Canon waterproof cameras, both of them film models, and they were great. Neither was necessarily great for their photographic excellence, but they were great because they worked in rough, wet conditions and got the shot that no other camera would, at least not in a small package. It seems like most manufacturers drop a waterproof camera on the market now and then, but they seldom update it, and often it disappears in a year or two. Olympus and Pentax are the only companies consistently producing waterproof cameras. Let's hope the Canon D10 is just the beginning of a long line of Canon waterproof cameras, because I had a great experience with this unique digital camera.

To be completely accurate, Canon has kept up their line of waterproof housings for just about every PowerShot they make, so while it wasn't impossible to shoot with Canon products in and around water, it did cost more, and the cameras were considerably larger in the housings than out.

Look and feel. Of course, the Canon PowerShot D10 isn't exactly a slim pocket design. It's quite bulbous. Then again over the weekend I did everything, including swim, ride my bike, and lay on a beach chair with it stowed almost unnoticed in my swim trunks and cargo shorts.

Appropriate to its purpose, the Canon D10 looks a lot like a diving bell, with a solid shell out front and a hefty porthole-like bezel sealing the lens inside. All other digital cameras on the market are relatively slim pocket designs with folded optics inside to allow zooming. They're getting better and better with each generation, but folded optics are usually a compromise. They're essentially a periscope, with the lens optics running inside the body, gathering light via a mirror angled at 45 degrees. It's usually the mirror that causes most of the problems, far as I can tell; but whatever the reason, Canon has once again opted to avoid the folded optic, instead protecting the more traditional zoom mechanism behind the PowerShot D10's bulbous nose.

Controls. All the Canon D10's controls are on the top and back of the camera, and all are buttons. Switches and dials are harder to seal, so most waterproof digital cameras are button-only (not all). Note also the eight main screws hold the two major shells together.

Power and shutter buttons are on top, and the rest are on the back. The Power button is a little larger than most Canon PowerShots, good for using in wet conditions or with gloves, but I did sometimes have to press harder to activate it. The shutter button is a little mushier than I'm used to from Canon as well, with a long throw before you get to the second stage where you capture a picture. I missed more than a few shots underwater until I got used to this tendency.

Across the top are the Mode buttons: Print/Share, Record/Movie, and Playback modes. I was happy to see that the Print/Share button can still be set to activate a function of your choice, which I always set to Movie Record so I don't have to switch into Movie mode for movies. Pressing the Record/Movie button takes you to a submenu where you can choose among Auto, Program, Scene, and Movie modes. It's not complicated, but I generally leave it in Program mode and use the Print/Share button as I've described for greatest utility. Pressing the Playback button takes you to Playback mode whether the camera is on or off. If it was off, pressing it again does indeed turn it off rather than taking you to Record mode, as many cameras will do. Pressing the Shutter button halfway, however, will take you to your last-selected Record mode regardless of how you powered on the camera.

Just right of these three buttons is a power lamp, something I appreciate on any camera, because LCDs do time out while the camera's still on.

I'm not really fond of zoom buttons, and for me these two are backward. Telephoto is right and wide-angle is left in my mental map, but here they're reversed. Of course, these are more above and below than left and right, and up should be tele up and wide-angle down, as they are. Let's just say my mental map is frustrated by these two controls. Zoom is quiet, if a little slow to respond. It's also tough to zoom just a small amount, which is why I prefer zoom dials that surround shutter buttons. But we already know why they're not here (the waterproofing and impact issues), so that's just the way it is.

The navigation buttons, on the other hand, are the best Canon's made so far. They're little finger-friendly ramps that would be a fun challenge on a skateboard or bike if they were larger (much larger). At their current size, they should replace every other nav cluster on Canon PowerShots. The center Func/Set button is tall and domed; easy to differentiate from the others by touch. I can't say for sure how they'd do with gloves--probably not well, and worse as the gloves thickened--but in a pool or most other watersports that require gloves other than cold-weather action, they'll do well.

Coolest wrist strap. One of the more curious elements on the Canon D10 is the lanyard mount. There's not just one, but four. Indeed, they're the most unique--and most frustrating--elements on the camera. You get one lanyard with the Canon D10, a durable, thick design with a locking slide, and one mounting device. The Canon D10 has four mounting points, one on each corner. Choosing which to use is the frustrating part. I keep defaulting to the upper right corner (as viewed from the back), but it bugs me because it blocks the shutter button. So mount it on the bottom right corner, right? That, unfortunately, lifts it up enough that the two right feet, part of the battery/card door, are rendered useless, and the camera too often flops forward or backward. The same is true on the bottom left corner. Sigh. Okay, how about the upper left corner? As a right-hander, that raises the risk that the cord would go in front of the lens too often.

Might this be the first digital camera designed to favor left-handers in one minor way? If so, it's about time. Go for it, lefties: strap it to your left wrist and only use that other hand when it's time to press the shutter.

The mechanism itself also belongs on all Canon cameras from here out. It's a unique and marvelously secure design that requires two buttons and a turn to release. I'm sure some circumstance could conspire to release it without someone's intent, so please don't consider this some kind of guarantee, because I'm not making it. But I can guarantee that if you're like me, you'll attach and detach it more than once just to watch it work.

Optional accessories include a Shoulder/Neck strap, a Carabiner strap, a soft case with a carabiner, and interchangeable covers: orange, camo, and gray. It's unclear, but it seems these items are sold as a kit, not as individual components: AKT-DC1, $129.

This, by the way, is the kind of geekery that sells this kind of camera. It's like the little lamp on the Olympus and Panasonic waterproofs, or the altimeter built into some of Oly's models. None of it is essential for most photo opportunities, but it doesn't hurt the sale at all.



Lens. Ranging from 35 to 105mm equivalent, the Canon D10 doesn't break any records for either wide angle or telephoto, which suggests that there's some room for growth if the line proves popular enough. The bell housing, though, is clearly a limitation that keeps both wide-angle and longer telephoto focal lengths more remote possibilities.

Regardless, the lens is optically stabilized and performs reasonably well... for a waterproof camera. Remember how I said that the folded-optical designs were compromises? Well, shooting through a porthole glass also has its drawbacks. See the Lens report below for full details, but the Canon D10's corners are very soft, more than I expected. Looking through my personal snapshots, I didn't notice, but our test shots are quite revealing. So, as I say about almost every other waterproof digital camera: though the Canon PowerShot D10 is a great outdoor adventure camera mostly because it'll take pictures in conditions others can't, it might not be your best choice for general all-purpose photography.

Auto Scene Modes. Canon's added their Smart Auto mode to the D10, available in Full Auto mode, designed to pick the Scene mode for you based on what the camera sees in the image. If the Canon D10 sees a set of faces framed tightly, the camera switches to Portrait mode and snaps its shot. If you're paying attention while it does that, you'll note that the icon in the upper right corner will change when the camera detects a face.

Menu. Canon's simplified menu made it into the PowerShot D10, with its new shading and more modern color scheme. It consists of two tabs and a scrolling list in each. The Playback menu consists of three tabs.

More commonly accessed menu items, like ISO, white balance, My Colors, metering, drive mode, quality, and resolution, are accessed via the Function menu. This neat distribution of controls will be familiar to most Canon users.

Storage and battery. The Canon D10 stores images on SD/SDHC memory cards, for a current maximum capacity of 32GB per card. That'll be sufficient for most needs with this camera, and indeed a 4 to 8GB card should be sufficient unless you plan to shoot a lot of video with the Canon D10.

The Canon D10's battery is a 1,000mAh, 3.7 volt lithium-ion design, model number NB-6L. The flat, rectangular battery latches in place next to the SD card under the Canon D10's waterproof door. A single charge is good for about 220 shots. That's a little less than average, so consider buying a spare battery for longer outings, especially those involving video.

Dunk. Taking pictures underwater is as easy as submerging it and pressing the shutter button good and hard. It probably helps to let the bubbles clear a bit.

Shooting. Aside from items I've already mentioned, like the mushy shutter and odd zoom controls, using the Canon D10 is a pretty good experience. The LCD is very nice, refreshes fast, and looks vibrant and crisp. It also works well in the daylight, but unless you have goggles, it's nearly useless for framing underwater. Of course, that's not a fault of the camera's, but of human eye design.

Getting underwater shots was where I had the most trouble with the Canon D10, because it was hard to know when the camera was focused and would finally take the shot (this would have been easier with goggles, as I mentioned). Unless you're intent on getting flash shots of things like fish and coral, I advise turning the flash off, because this introduces even more delay into the question of when the image will actually be captured. When diving, just watch the flashing lightening bolt to see when it shines steady, then take your next shot.
Click to view movie. MOV player required.

Video. 640x480 at 30fps H.264 MPEG4 format. Optical zoom is not supported. (Click to download 13MB MOV file.)

Shooting video was also fun and easy. Just frame, focus, and hit the Print/Share button to start recording. See the video at right for a sample. Resolutions are 640x480 or 320x240, both 30 frames-per-second. Underwater audio quality is similar to what one's ears hear, and audio playback is via the speaker on the bottom.

The Canon PowerShot D10 is really easy to use and quite a lot of fun. Image quality is the final thing to consider, which we go over below (this information coming tomorrow). I'm a little disappointed that it wouldn't serve as an everyday camera for me, because I'd like to have a nice all-purpose digital camera that also goes underwater. But the combination of a smaller optic, the Canon D10's strong coverglass, and the high resolution sensor leaves corners too soft for anything but sports and underwater shooting.

Canon SD880 IS Overview...

Canon's PowerShot SD880 IS digital camera replaces the company's previous PowerShot SD870 IS model, and updates the chassis with an edgier style. The Canon SD880 also reduces the body height and thickness ever so slightly. Under that pretty skin, the Canon SD880 uses a slightly larger 1/2.3-inch CCD image sensor, and simultaneously boosts resolution from eight to 10 megapixels, along with upgrading the previous model's DIGIC III processor to a DIGIC 4 type that allows for servo AF tracking.

The Canon SD880's zoom lens is just slightly expanded to a 4x zoom from the 3.8x optical zoom in the SD870. The added magnification power is all found at the telephoto end, with the overall range varying from a useful 28mm wide-angle to a moderate 112mm telephoto. As with its predecessor, the Canon SD880 IS includes true optical image stabilization to help combat image blurring due to camera shake. Maximum aperture is f/2.8 to a rather dim f/5.8 across the zoom range. As well as the previously mentioned AF tracking, the Canon SD880 IS's autofocus system now has improved face detection capability. Canon says the camera will now recognize faces at most angles, and has included a Face Detection self timer which automatically takes a photo two seconds after an additional face enters the scene. The Canon PowerShot SD880 IS's LCD display has identical size and resolution to that in the previous camera: it's a 3.0-inch design with 230,000 dots, but Canon also claims higher contrast.

The standard ISO sensitivity range offered by the Canon SD880 IS is unchanged from the SD870, with a minimum of ISO 100 through to a maximum of ISO 1,600. A new high sensitivity scene mode allows this to be boosted to a maximum of ISO 3,200, however. Available PowerShot SD880 shutter speeds are unchanged, ranging from 1/1,600 to 15 seconds. Metering modes are unchanged -- evaluative, center-weighted and spot all being offered. Likewise, the Canon SD880 is much like the SD870 in that it offers only a program mode, with no options for aperture- or shutter-priority shooting, let alone a fully manual mode. Flash range when set to Auto ISO is rated at 1 - 13.8 feet (30cm - 4.2m) at wide angle, and 1 - 6.6 feet (30cm - 2m) at telephoto. There are sixteen scene modes, and the Canon SD880 also offers a new Intelligent Contrast Correction function.

Where the SD870 offered Motion JPEG AVI movies, the Canon SD880 opts for H.264 MOV instead -- a newer format which generally offers significantly improved compression (and hence smaller file sizes) for equivalent video quality. As with the previous camera, sound is recorded along with movie clips. The Canon PowerShot SD880 is unchanged from its predecessor in storing its images and movies on Secure Digital cards, and includes a not-very-generous 32MB card in the product bundle. The Canon SD880 also offers both NTSC / PAL video and USB 2.0 High Speed computer connectivity, like its predecessor. Power is likewise unchanged, coming from a proprietary NB-5L lithium-ion rechargeable battery.

The Canon PowerShot SD880 IS will ship in the USA from October 2008, priced at US$300 or less.


Canon SD880 IS User Report

by Mike Pasini

It's love at first sight with an ELPH. And Canon's PowerShot SD880 IS will make your heart skip more than a beat, not only with its very attractive shell but with the best button layout ever seen on a PowerShot. Oh, and the photos aren't bad either. You won't regret a long-term relationship with this ELPH.

Look and Feel. ELPHs are designed to stand up on their short end, rather than lounge along the long side like other digicams. The Canon SD880 IS has a nice flare at the top that helps you grip the little thing a bit more securely. That combination of function and style makes the Canon SD880 IS even more attractive than its fellow ELPHs.

It's also a little bit slimmer, though nowhere near as slim as Sony and Casio wafer-thin ultracompacts. But the Canon SD880 will slip into a pocket or purse without a problem and includes a tasteful black wrist strap to retrieve and secure it. The shell is metal with a metal tripod socket, but if it were ours, we'd tuck the Canon SD880 into a small soft case like Canon's $20 PSC-55.

The back side of the Canon SD880 IS is almost as pleasing to look at as the front. Like most digicams not parading as bargain cameras, it has a 3.0-inch LCD that's a pleasure to look at even in direct sunlight. Type on the menus is sharp, clear and large. And images in Playback mode look great.

But the real beauty of the Canon SD880's back side is the button layout. Gone are the tiny round pinheads surrounding the Control Dial that pass for buttons on other cameras. In their place are big, asymmetrical buttons that follow the curve of the short edge of the camera body. They're a delight to press, too.

The only problem is that they don't leave a lot of room between the LCD and themselves. There is a little grip area on the Canon SD880 for your thumb indicated by some raised triangles, but it made one companion complain that the camera is too small.

Controls. I'm thrilled to report that pressing the Canon SD880's Playback button turns on the camera without extending the 4x zoom lens. That isn't always the case, but it should be. To turn the Canon SD880 on in Record mode, a triangular button partly obscured by the large Shutter button does the job.

I really like the Canon SD880's large Shutter button. And the black Zoom ring surrounding it is my preferred zoom control (buttons on the back don't cut it).

But the Mode switch is something of a disappointment, particularly for older photographers. The red legend is silkscreened on the dark brown back panel making it very hard to read. There are only three positions, though, so you can memorize them: Movie, Scene, and Still.

The rest of the controls are on the back panel.

The Canon SD880's central Control Dial has Canon's familiar Func./Set button in the middle surrounded by a four-way navigator whose arrow positions (from noon) control ISO/rotation, Flash modes, Drive modes, Focus modes (Macro or Normal). The dial is also surrounded by a knurled ring that makes scrolling child's play.

The two buttons above the Control Dial are the Print/Share button and the Playback button below it. You can assign several functions to the Canon SD880's Print/Share button: Face Select, EV, White Balance, Custom White Balance, Red-Eye, Digital Telecoverter, i-Contrast, Display Overlay, Movie Mode, Display Off, and Play Sound Effect.

Below the Canon SD880's Control Dial is the Menu button for major camera settings in any mode and the Display button to control how much information (if any) appears on the LCD.

Lens. The lens is a full 4x zoom ranging from 28mm to 112mm in 35mm equivalents. Digital zoom is also 4x, giving you a 16x range. Macro focusing gets as close as 0.8 inch at wide angle and was one of the true joys we had shooting with the Canon SD880 IS.

Aperture, despite the Canon SD880's larger sensor, was no larger than f/2.8 at wide angle and f/5.8 at telephoto. Shutter speed options run from 15 to 1/1,600 second. And noise reduction kicks in automatically when you set the shutter for exposures of 1.3 second and greater.

The lab found wide angle slightly soft, particularly in the corners, but this is common in small digicams. In fact, the Canon SD880 IS has perhaps a bit less of it than its competitors. And the same can be said for its barrel distortion at wide angle. Telephoto showed none.

You might see some chromatic aberration in prints 8x10 inches and larger, but otherwise you won't be bothered by it. It's there, as it is on almost every digicam, but not excessive on the Canon SD880.

The "IS" in Canon SD880 IS stands for image-stabilized, meaning the camera will compensate for some camera shake. That's a big help when shooting telephoto (particularly when using digital zoom) but it's also a great way to avoid shooting flash, giving you more shots in low light than a non-stabilized lens.

Modes. The Canon SD880 powers on in either Record or Playback mode, depending on which button you press. And switching modes is as simple as pressing either the Shutter button or the Playback button with the camera already on.

Shooting modes are either one of the big disappointments or great consolations of an ELPH, depending on how into photography you are. It's a disappointment if you expect any kind of manual control over the Canon SD880's aperture and shutter speed. It's a consolation if you don't want to know what that's all about.

And yet there are two automatic modes: Auto and Program AE. Auto greatly restricts the options available on the Canon SD880. ISO, for example, can only be set to Auto or Hi, not any specific setting. And Continuous Release mode is not available. Nor are things like White Balance or Exposure Compensation (EV). All of these are available to fiddle with in Program AE.

The Canon SD880 IS includes several Scene modes: Portrait, Foliage, Snow, Beach, Sunset, Fireworks, Aquarium, Underwater, ISO 3,200, Indoor, Kids & Pets, Night Snapshot), Color Accent, Color Swap, Digital Macro, and Stitch Assist.

It shoots movies in H.264 format and monaural audio. Movies can be either 640x480 or 320x240, both at 30 frames per second. Zoom is restricted to the silent digital zoom but you can set the optical zoom before recording.

Menu. The Canon SD880 IS's functions are controlled with two menus, as is the case with all PowerShot cameras. The Function menu sets Exposure Compensation, Long shutter, White Balance, My Colors, Metering mode, Compression, and Resolution. All other functions, which affect general camera behavior, are set via the Menu, accessed from the Menu button.

Storage. The Canon SD880 IS stores images on SD and SDHC cards. Though it ships with a 32MB SD card, you'll want at least a 2GB or 4GB card for practical use. An Eye-Fi card turns the Canon SD880 IS into a WiFi camera and can even add GPS tagging to it.

Canon estimates that a 2GB card will store 749 large images at the highest resolution. The same card will record 23 minutes 49 seconds of 640x480 broadcast-quality video.

Battery. The Canon SD880 IS is powered by an NB-5L lithium-ion battery. An AC adapter kit is also available. Canon estimates battery capacity at 310 shots with the LCD on (the only way to use the Canon SD880 IS) using CIPA standards (which shoot 50% flash shots).

In the Box. The Canon PowerShot SD880 IS ships with the following items in the box:

* PowerShot SD880 IS Digital ELPH Body
* Lithium-ion Battery Pack NB-5L
* Battery Charger CB-2LX
* SD Memory Card SDC-32MB
* Wrist Strap WS-DC7
* Digital Camera Solution CD-ROM
* USB Interface Cable IFC-400PCU
* AV Cable AVC-DC400

Shooting. ELPHs are fun to shoot with. You just turn them on and fire the Shutter button, maybe tweaking composition by nudging the Zoom ring one way or the other. That's all you have to do, really.

Simple as they are to use, they are complex little boxes with a lot of sophistication built in. You don't see it, but you enjoy the benefits of it. Face Detection is one example. Some schemes only recognize faces looking at them, depending on the triangle of the eyes and nose to identify a face. But Canon claims it can find a face that's not looking at the camera.

But the Canon SD880 IS takes Face Detection technology even further. Tired of setting the self-timer and dashing around the camera to get into the scene? The Canon SD880 IS's Face Self-Timer waits for you. It recognizes your face and won't fire the Shutter until you're in the scene.

The Canon SD880 will also recognize any face you tell it is the key one in a group, cycling through the faces it recognizes until you press the Print/Share button (when registered to this function) to follow a particular face.

Getting good contrast in a scene is one of those things that usually works well but for the longest time digicams have had a hard time with bright subjects or subjects where the lighting is coming from behind. The i-Contrast function is available when shooting or can be applied to a captured image in Playback mode to adjust contrast automatically.

My biggest problem with the Canon SD880 IS was focusing. It failed to find focus when I shot the avocado plant in the gallery but I didn't use Macro mode, thinking I was far enough away. Even in Macro mode, though, the Canon SD880 IS struggled to find focus on the Lilies of the Field. I just could not force the camera to focus on the part of that shot I wanted.

Other macro shots came out very well, though, perhaps because they were less confusing. The poppies and the carpenter's pencil show just what fun you can have shooing macro with the Canon SD880 IS.

And even some of our mistakes were a lot of fun. I shot a friend who brought over a pizza and some chicken soup at way too slow a shutter speed to freeze him as he ducked out of the frame. But the image still appeals to me.

Not so much the fire alarm image, though. It's so saturated that it looks unreal. That same quality, however, is probably what makes the flowers so attractive. And most of us shoot more flowers than fire alarms.

For the rest of the sample images I'm talking about, see the Gallery section. See below for our image analysis and conclusion...


Canon PowerShot E1 Overview...

With a playful array of body colors and a compact size, the Canon PowerShot E1 practically shouts "Summer!" Available in a feminine color selection of white, pink, and aqua (shown), the PowerShot E1 boasts a 10-megapixel CCD and 4x optical zoom lens, equivalent to a 35-140mm lens on a 35mm camera -- all packaged in a hip, retro-chic body. And because the PowerShot E1 is all about having fun while snapping pictures, Canon included a true optical image stabilizer to help reduce blurry shots when shooting on the go.

Pointedly geared toward younger consumers, the PowerShot E1 is a solid point-and-shoot model with a lot of easy-to-use automatic features. The camera's intelligent DIGIC III Image Processor features Canon's effective Face Detection technology, which works in conjunction with the autofocus, exposure, and white balance systems to optimize all three for the best possible portrait shots. And because the Canon E1 will be popular with younger users, it features an Easy mode for straight automatic shooting and a greatly-simplified user interface. That said, the PowerShot E1 also features a healthy selection of manual controls, such as white balance, exposure compensation, ISO, etc. The Canon E1 also offers an extensive array of preset Scene modes, with no less than 13 presets for common-yet-tricky conditions like indoor no-flash shooting, beach shots and night scenes.

The Canon E1 features a bright, 2.5-inch color LCD monitor in addition to a tiny real-image optical viewfinder. Though accuracy isn't as good with the optical viewfinder, it does greatly reduce the drain on battery power when the LCD monitor is switched off, and gives an alternative framing option when shooting in very bright sunlight. Though the LCD monitor is pretty bright, the highly-reflective screen does hinder its luminance under harsh sunlight. Continuing with its easy theme, the Canon E1 has just a handful of external controls and a couple of quick-access buttons for things like Face Selection and direct printing.

Light, compact, and pocket-friendly to match its fun color scheme and design, the Canon PowerShot E1 weighs in at just 5.6 ounces (160g) and measures just 4.0 x 2.5 x 1.2 inches (101 x 64 x 31mm). The Canon PowerShot E1 is available at a suggested retail price of US$200.


Canon E1 User Report

by Stephanie Boozer

Fun and vivacious (if you can call a camera vivacious) with its retro color scheme, the Canon PowerShot E1 continues a long line of quality, inexpensive, mid-size point-and-shoot digital cameras that use AA batteries. Canon's point-and-shoot models are consistently good performers across the board, with a strong emphasis on ease-of-use and user-friendly design.

Look and feel. Though it falls into our mid-size digital camera category, the Canon PowerShot E1 is still quite compact and pocket-friendly, important factors to match its fun body design. Light weight and easy to handle at just 7.3 ounces (207g) with batteries and card, the Canon E1 won't be a burden out in the field. The grip offers a reasonable bulge, but the included wrist strap is still a must to prevent you from dropping it and scratching that shiny finish.

The Canon E1 comes in white, pink, and aqua, and features a retro-inspired modern design with its flower-shaped speaker cover and muted silver accents. Even the matching packaging is ultra-clean and minimal. The smooth, plastic body feels good in the hand, and one-handed shooting is definitely possible with the camera's limited controls. I found the Canon E1 fit quite comfortably in my medium-sized hand, and I could easily twirl the Mode dial with my right thumb, as well as control the zoom and access the menu. All in all, the Canon E1 is a comfortable design that's easy to negotiate.

Controls. A small, silver button on the top deck powers on the Canon E1, just next to the Mode dial. The Mode dial is well-placed, and easy to activate with your thumb. The detents are firm, making it difficult to turn by accident, which is nice. The Canon E1's Zoom ring surrounds the shutter button, making for quick and easy framing with your right index finger.

Your thumb rests over the speaker on the back, but can easily slip over to the Playback button. However, the Playback button does require a fairly firm press to actuate, so accidental activation should be a rare occurrence. A small but usable optical viewfinder allows you to frame images without using the Canon E1's LCD monitor, though its view is quite limited, only showing 81 to 77 percent accuracy from wide to telephoto, respectively. The Canon E1's LCD gives you a much better sample of what you'll get when you press the shutter, though, at 100 percent.

On the rear panel, a useful Face Selector button lets you highlight a face in the composition for the Canon E1 to track as it moves; another excellent feature for tracking busy children. The Print/Share button on the rear panel lets you quickly print images directly from the camera, once it's plugged into a compatible printer, such as the SELPHY and PIXMA series printers, or any PictBridge-compatible printer. It can also enable instant downloading to a computer.

Lens. Ranging from 35 to 140mm equivalent, the Canon E1's 4x zoom is of good quality, with low distortion at wide-angle and only moderate blurring and chromatic aberration in the corners. Thus, the PowerShot E1 may be performing at least some processing of images to improve overall sharpness, distortion, and chromatic aberration.

The Canon E1's lens features Canon's optical Image Stabilization, which works to counteract any slight blurring caused by camera movement. You can control how often the system kicks in, whether it's continuous or shot-to-shot, as well as put it in Panning mode to track a moving subject. Very handy when shooting kids.

Modes. The large mode dial on the top deck is missing the Playback mode setting, which is activated by a button in the top right of the PowerShot E1's rear panel. (We prefer this layout, as a press of the shutter release quickly returns the camera to Record mode.) A handful of the more commonly-used preset Scene modes have positions on the Mode dial, while the remaining, more obscure modes are accessed through the Scene position. Also on the Mode dial are the standard Program AE and Auto modes, with an Easy mode indicated by the heart-embellished icon.

The Canon PowerShot E1's Easy shooting mode goes beyond the standard Auto mode, which simply takes complete control of the exposure, and employs more intelligent decision-making from the camera. From employing Face Detection, to automatically enhancing exposures for portraits, to keeping image quality as high as possible under a variety of conditions, Easy mode is perfect for novices or users who really don't care about what the camera is doing and just want the best pictures they can get.

Menu. The Canon E1's menu is straightforward and similar to other PowerShot models. You can customize its color, and font size is large enough to be readable by a range of users. Pressing the Menu button on the rear panel activates the main shooting menu, with top-tab access to the camera's main setup menu as well.

Like many Canon digital cameras, the PowerShot E1 has a standard shooting menu, as well as a separate Function menu accessed by the center button of the rear panel multi-controller. Options on the Function menu remain predominately the same through the various shooting modes, featuring exposure compensation, white balance, My Colors, metering, resolution, and quality. In Scene mode, a top option becomes available to allow you to select one of the specific presets.

Storage and battery. The Canon PowerShot E1 stores images on SD/SDHC memory cards, for a current maximum capacity of 32GB per card. That'll be sufficient for most needs with this camera, and indeed a 4 to 8GB card should be sufficient unless you plan to shoot a lot of video with the Canon PowerShot E1.

The Canon PowerShot E1's battery compartment houses two AA-type batteries, and is covered by a hinged, locking door at the bottom of the handgrip. A standard set of AA alkaline batteries is good for about 220 shots with the LCD on, or about 650 shots with it off. With a set of NiMH rechargeable cells, those numbers increase to 450 shots with the LCD on and 1,000 with it off. Not too shabby, but still worth picking up a spare set of batteries and a good quality charger.

Shooting. A consistent quality among Canon digital cameras is their ease of use, whether shooting with a higher-end SLR or a more basic point-and-shoot variety. The Canon E1 falls into line here, as operation is a breeze. The majority of automatically controlled functions means that you can focus entirely on composition and framing, while the camera handles everything else. Well-marked and laid-out controls make the camera easy to navigate, and even diving into the menu system is a snap.

The Canon PowerShot E1's zoom is fairly smooth, though a little sluggish and not as responsive as some when you let off the control. Still, performance is good.

Overall, shooting with the Canon E1 is fun, just like it was designed to be. The camera's small size, capable automatic performance, simple-yet-savvy interface, and overall light-hearted appeal make it an easy camera to learn and a good one to shoot with.

Latest Digital Camera Reviews and Tips.....

The whole thing has often left existing DSLR owners a little lost - 'why isn't there a direct replacement for my camera?' - but has undoubtedly meant there are many more attractive, accessible cameras on the market just waiting to entice first-time DSLR owners.

And its into this maelstrom of DSLR proliferation that Nikon launches its latest baby DSLR, the Nikon D5000. The name will come as no surprise to anyone within earshot of the rumor mill but the camera itself may present some more surprises. Having confused many people but made huge ground with its simplified D40 and D60 range, it appears Nikon has again decided that simply replacing models isn't the best way to address the market. So here we have a camera that genuinely seems to sit above the D60 (rather than continuing in parallel until the stock runs out), and below the D90. Like the baby Nikons, the D5000 doesn't have an autofocus motor built into the body but does gain a tilt-and-swivel LCD, as a series of leaked images that have made their way around the internet would have you expect.

The idea of an upper-entry-level DSLR (for want of a better term), that sits below the 'enthusiast' grade D90 (with its twin control dials, big battery and pentaprism viewfinder), is hardly a radical one – the Canon 500D camera and Olympus E-620 seem to cater to a similar market. So what does this new Nikon have to offer either the tech-savvy first-time DSLR buyer, or the owner of an older entry-level model wanting newer features but unwilling to slavishly follow the manufacturer's upgrade path.

Digital Camera Reviews: Helping you to buy better.....

If you are a photographer at heart, or you just love to click the moments of life, a digital camera is a must have for you. Because of their performance, advanced functionality, and portability, digital cameras have fast replaced those film cameras. But buying a digital camera is not that an easy task, especially if you are a novice in the field. It’s because there are a number of camera makers which can always create confusion for you by offering you a lot – you may get perplexed which brand to choose, what model to go for. But if you have prior knowledge in the field, you can easily choose what satisfies your demands and necessities.

For those beginners looking for digital cameras there are camera reviews which can be read online. There are many sites which offer genuine camera reviews from experts in the field. Users’ reviews can also be helpful on many an occasions. Most of the online camera sellers now also provide camera reviews for potential buyers. And the best thing is that under a single roof, you can also get quality camcorder reviews because many sites selling digital cameras online also deal in camcorders.

While you browse a site for reviews, you can choose a model brand wise as well as price wise. Right from point-and-shoot cameras, to digital SLRs for professionals, all sorts of reviews can be easily found on a decent camera review site.

For years, Nikon, Canon, Olympus, Kodak, Panasonic, Minolta, Pentax, Sony and Fuji have been the top camera makers in the digital segment. All these brands have various models under their bellies thus offering customers each and every choice under their preferred segments.

But before making your mind to buy a camera, you need to know for what purpose you are going to own it. If you want it for simple home use, then a point-and-shoot camera will work well, but for professional use there is no way out but you have to resort on a highly advanced digital SLR. Try not to forget to go into the details like number of megapixels, optical zoom, shutter speed, memory module, shooting modes and such important factors.